Dickinson, the hymn tradition, and the theology of poetic forms

In his entry for “hymn” in A Poet’s Glossary, Edward Hirsch quotes literary critic and poet Susan Stewart as saying, “Common meter [the hymn quatrain*] presents itself as the most suitable for group singing –– the coordination of song and the coordination of social life under a common temporal framework emphasize integration and solidarity.” Hirsch continues, “Think, then, of what it meant for Emily Dickinson to fracture the common measure, thus invoking the hymn tradition and responding to its communal nature with a radical individualism of her own.”

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